Ajit Duara
The movie works well when it brings alive the world of a talented cricketer in small town India
Riteish Deshmukh, the banjo player, makes a mark in Marathi cinema too—with perfect comic timing
A new sensitivity in Hindi cinema takes feminism beyond the comfort zone of victimhood
The director of Pink, Aniruddha Roy Chowdhury, tells Open why he wants to make movies that reflect society today
A big budget feature film on India’s most successful captain is a different kind of thriller for Neeraj Pandey
A biography of Rekha that is rich in empathy but lacks the diva’s voice
An actor’s life in Mumbai is not only about the big screen. The young and enterprising are busier than ever before