What we have in Wajah Tum Ho is a badly executed movie, stuffed with cliches and hackneyed scenes
Adoor Gopalakrishnan’s new film, illuminated by an intimate absence, strikes a fine balance between the existential and the sociological
Had it not been for the intensity with which Vidya Balan imbues every character she plays, this film would not have been worth the look in
The art of Gauri Shinde borrows from whatever life offers, good or bad. The filmmaker talks about her new work with Priyanka Pereira
It is an oddball of a movie, cliched and predictable in many ways, but never boring
The movie is short on content, and long on never ending passages of chase scenes, gun fights and fisticuffs