A watchable film that does not let you down, except, perhaps, at the very end
The best part of the writing of the film is in the way the two characters change, as layers are peeled off from their respective personae
The art of Gauri Shinde borrows from whatever life offers, good or bad. The filmmaker talks about her new work with Priyanka Pereira
Vidya Balan continues to break the image trap. The actor in conversation with Divya Unny
It is an oddball of a movie, cliched and predictable in many ways, but never boring
The movie is short on content, and long on never ending passages of chase scenes, gun fights and fisticuffs