Adoor Gopalakrishnan’s new film, illuminated by an intimate absence, strikes a fine balance between the existential and the sociological
This is a film which could have said much more than it does about industrial accidents
The movie is the same old mundane, post modern angst about the impossibility of separating love and lust that we have seen in Hindi films over the last few years
Frankly, this movie is not recommended for anyone, except, perhaps, a die hard cultist
Had it not been for the intensity with which Vidya Balan imbues every character she plays, this film would not have been worth the look in
A watchable film that does not let you down, except, perhaps, at the very end