Konkona Sen Sharma talks to Divya Unny about her resistance to cinema and the alternate space that eventually drew her in—first as an actor and now as a director
The movie is an out of the box experience for an Indian audience, and though some of the action is excessive and, at times, ridiculous, there is never a dull moment here
Mira Nair’s new movie is a daring rejoinder to racial prejudices
‘Inferno’ is a shade more interesting and more compact than the previous Ron Howard adaptations
The movie works well as you watch it, but does not leave behind a residue of emotion or thought, to which you can go back to