In Shivaay Devgn has fallen into the narcissistic trap that actors directing themselves often slip into
Karan Johar needs to screen Aye Dil Hai Mushkil to the infiltrators across the border, with a warning that there would be a repeat screening should they dare cross the LoC
Konkona Sen Sharma talks to Divya Unny about her resistance to cinema and the alternate space that eventually drew her in—first as an actor and now as a director
The movie is an out of the box experience for an Indian audience, and though some of the action is excessive and, at times, ridiculous, there is never a dull moment here
Mira Nair’s new movie is a daring rejoinder to racial prejudices
‘Inferno’ is a shade more interesting and more compact than the previous Ron Howard adaptations