A new sensitivity in Hindi cinema takes feminism beyond the comfort zone of victimhood
It is a nice looking film, but it is too self-consciously written and visualized to be credible
The film is a sincere and well intentioned film that has some watchable sequences, but fails eventually, as the sum of its parts just don't add up
The director of Pink, Aniruddha Roy Chowdhury, tells Open why he wants to make movies that reflect society today
Razz Reboot is a lazily made film, with wooden acting, and a shallow script
The film is pink because it is about working women who are vulnerable to a patriarchal and feudal sentiment
A big budget feature film on India’s most successful captain is a different kind of thriller for Neeraj Pandey