Payal Kapadia, the only Indian who competed at Cannes this year, on returning to old school technologies in filmmaking
It is a reflective sorrow, the mood of a creative person. It leads to the desire to be alone
It is a nice looking film, but it is too self-consciously written and visualized to be credible
Razz Reboot is a lazily made film, with wooden acting, and a shallow script
Documentaries, long relegated to alternative screens, are now wooing multiplex audiences in India with unprecedented creative fervour