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Indian society
The Normality of Evil
Nandini Nair
Upamanyu Chatterjee’s seventh novel opens with the discovery of a dead body in a park. He speaks to Nandini Nair about creating crafty characters and the villainy principle
The Lightness of Dissent
Shilpa Gupta’s immersive works interrogate censorship and celebrate language
Nagraj Manjule: The Troubadour of Our Times
Nagraj Manjule’s third feature film is yet another sharp critique of upper-caste oppression, establishing him as the truthteller of Marathi cinema and beyond
Pitch Perfect
A unique contest in the social sector shows the potential of good storytelling in philanthropy
An Inconvenient Truth
The forced migration of Kashmiri Pandits, for long kept out of the national narrative, is finally becoming visible and gaining the attention of the rest of India
The Unexpected Happy Ending
What the career of the new Mumbai police commissioner says about the Indian system
We Were Bereft. As Daughters. And As Citizens
A journalist’s personal, yet universal, grief during the pandemic
The White Swan
The film Gangubai Kathiawadi wants to valorise sex workers on the margins of society but its morality is confused
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