Rahul Pandita
Does the Hindi film industry have a story to tell?
The after-effects of Sushant Singh Rajput’s death have initiated a lot of value-based changes
It’s been a year since the death of Sushant Singh Rajput, a rising star who never quite fulfilled his early potential, but whose alleged suicide exposed much of the ugliness inherent in Bollywood’s beautiful people
Divided, self-referential in its storytelling, all too keen to celebrate mediocrity, its reputation in tatters and work largely stalled, the Mumbai film industry has hit rock bottom
Sushant Singh Rajput’s death has brought into focus the new populism of vitriolic voices
It wouldn’t be surprising to see bigger conspiracies taking hold of the public imagination
The idea of good versus bad media trials and mob lynchings only perpetuates the practice
Rhea Chakraborty is being portrayed as an unlikely villain in the messy aftermath of her ex-lover Sushant Singh Rajput’s death
If the police want to solve Rajput’s suicide, they should file an FIR against clinical depression
Bollywood’s ultimate insider finds himself cast as the fall guy in the drama around Sushant Singh Rajput’s death