Ajit Duara
This action movie has a raison d'être that is quite different
There is a limit to the number of films one can make on the subject of ex-royals
On its own two legs, ‘Dhadak’ stands up well in some parts and wobbles in others
Soorma is designed as an uplifting story of human triumph over seemingly insurmountable challenges
Rajinikanth is laying down the planned trajectory of his long anticipated entry into politics by combining regional considerations with a broader national agenda
It is surprising that a film maker who made a movie as rich in characterisation and as moving in emotional resonance as Udaan can run out of juice
The movie has no plot other than to express the emotional bonding of women friends - from girlhood, to menopause and beyond
Given a subject and treatment that showed so much personal sensitivity and demonstrated such good cinematic skills till the halfway mark, this transition to melodrama is both sudden and unfathomable