Anjum Hasan
One has to content oneself with that old cliché: It is just like the movies
It seems that the director was handed two different scripts, one on the mummies of Egypt and the other on zombies, and decided to combine them into a single entity
Payal Kapadia, the only Indian who competed at Cannes this year, on returning to old school technologies in filmmaking
The actor, who returns to Bollywood with Dear Maya, tells Divya Unny why she values her life away from the camera a lot more now
Kangana is brutally outspoken in public and exhibits an independent streak that defines her
Imtiaz Ali's new film too is a celebration of desire and longing. The filmmaker in conversation with Divya Unny