What we have in Wajah Tum Ho is a badly executed movie, stuffed with cliches and hackneyed scenes
Had it not been for the intensity with which Vidya Balan imbues every character she plays, this film would not have been worth the look in
AR Rahman in conversation with Divya Unny
The best part of the writing of the film is in the way the two characters change, as layers are peeled off from their respective personae
The art of Gauri Shinde borrows from whatever life offers, good or bad. The filmmaker talks about her new work with Priyanka Pereira