Ajit Duara
The best part of the writing of the film is in the way the two characters change, as layers are peeled off from their respective personae
The art of Gauri Shinde borrows from whatever life offers, good or bad. The filmmaker talks about her new work with Priyanka Pereira
Mainstream Hindi cinema is slowly moving from a mythical gear to a more novelistic one where the families portrayed are less adarsh and more authentic
In spite of not being the usual sappy family melodrama, this film’s energy fizzles out