Amar Kanwar talks about his new film which takes the camera deep into the heart of darkness
The style of the melodrama in the movie is of 1980s vintage, something that is very difficult to sit through today
Irrfan gives us a hugely entertaining character, but his persona starts to fray by the end
The movie starts off with an intriguing premise, but is unable to deliver on it
Richard Curtis defined love for a generation. He is now trying to create a more equal world. The British director in conversation with Nikhil Taneja