The style of the melodrama in the movie is of 1980s vintage, something that is very difficult to sit through today
Irrfan gives us a hugely entertaining character, but his persona starts to fray by the end
When the film ends abruptly, you have to ask: ‘now what was all that about?’
Richard Curtis defined love for a generation. He is now trying to create a more equal world. The British director in conversation with Nikhil Taneja
At the end, you stagger out of the theatre with your ears ringing