It is about two stalwarts of Hindi cinema of the 1970s and 1980s, playing foolish roles in a badly written movie
Too many characters in the movie slows it down to a ponderous pace and scatters the narrative far and wide
One would have expected more political, cultural and cinematic sophistication in a film by Sudhir Mishra
Madhavan on the joys of rediscovering himself in a new medium
Without doubt, this is the most hopelessly cliched film that Abhay Deol has worked in
It is a film of piquant melodrama, staged in a manner that is quite unlike the style of Majidi
Divya Unny catches up with one of Hindi cinema’s most original screenwriters