Rachel Dwyer is an author and culture critic based in London. She has written extensively on Hindi cinema and is an Open contributor
The many shades of love and friendship in Hindi cinema
When movie mothers are no longer saintly widows in white saris
The Goa of Hindi cinema is India’s internal exotica
The sensual pleasures of food haven’t been fully explored in cinema
In Indian cinema, atheists become believers by the end of the film
We celebrate multiple Christmases
Indian soft power has to travel beyond familiar shores
It’s glorious to be rich in Hindi cinema
It is a reflective sorrow, the mood of a creative person. It leads to the desire to be alone
Why were the films which established Shah Rukh Khan as a major star those that showed him as a psychopath?
CELESTIAL HEROISM IS a bestseller, unless it is badly made. In it merges great survivor dramas and the romance of breaching the boundaries of human…
Pratap Bhanu Mehta is one of India’s most influential columnists and public intellectuals
Brahma Chellaney is a geostrategist and the author of two award-winning books on water: Water, Peace, and War and Water: Asia’s New Battleground
MJ Akbar is the author of, among several titles, Tinderbox: The Past and Future of Pakistan. His latest book is Gandhi: A Life in Three Campaigns
Ram Madhav is a member of the National Executive of RSS and a founding member of the governing council of India Foundation. He is the author of, among other titles, Partitioned Freedom and The Hindutva Paradigm
Makarand R Paranjape is an author and columnist. Views are personal.
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