Ajit Duara
The movie is the same old mundane, post modern angst about the impossibility of separating love and lust that we have seen in Hindi films over the last few years
Had it not been for the intensity with which Vidya Balan imbues every character she plays, this film would not have been worth the look in
The best part of the writing of the film is in the way the two characters change, as layers are peeled off from their respective personae
It is an oddball of a movie, cliched and predictable in many ways, but never boring
The movie is short on content, and long on never ending passages of chase scenes, gun fights and fisticuffs
The concert at the end of the film has some great blend of local talent and Indian rock, and is beautifully shot, but arrives too late in the movie to hold you
In Shivaay Devgn has fallen into the narcissistic trap that actors directing themselves often slip into
Karan Johar needs to screen Aye Dil Hai Mushkil to the infiltrators across the border, with a warning that there would be a repeat screening should they dare cross the LoC
The movie is an out of the box experience for an Indian audience, and though some of the action is excessive and, at times, ridiculous, there is never a dull moment here