Divya Unny
Madhavan on the joys of rediscovering himself in a new medium
It is a film of piquant melodrama, staged in a manner that is quite unlike the style of Majidi
Divya Unny catches up with one of Hindi cinema’s most original screenwriters
Blackmail is one of the rare occasions when Irrfan looks vulnerable to the bane of all fine Indian actors - a perceptible slip into mediocrity through overexposure
The direct delivery of entertainment to handsets already has the numbers to reshape Indian TV and cinema