Agent Vinod director Sriram Raghavan on his obsession with rewriting and the influence of Hitchcock and Vijay Anand on his film
Director of Paan Singh Tomar Tigmanshu Dhulia on tightfisted critics, producers he could perhaps kill, and what his experience of theatre and television taught him about filmmaking
The film is gripping enough for you to not realise its plot holes until the credits roll
Part docu-drama, this film tells the story of a forgotten hero with rare depth
Making the unit behave itself in a horrifying morgue, enforcing the discipline of working in real locations, and the other prefect duties of director Sujoy Ghosh
Never mind all those Oscars. This film is cute, not great. And the dog is the real Best Actor
The director of the seminal Albert Pinto Ko Gussa Kyoon Aata Hai on his career as a novelist, the West’s racist ideas and why he found films “very limiting”
Milan Luthria, director of The Dirty Picture, on his fear of beginnings, love of dark characters and favourite Bollywood era