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Cinema
Blood Money
This film has all the elements of the Bhatt success formula, but in the wrong proportion
When Bond-meets-Bourne-meets-Johny
Agent Vinod director Sriram Raghavan on his obsession with rewriting and the influence of Hitchcock and Vijay Anand on his film
The Three-Star Filmmaker
Director of Paan Singh Tomar Tigmanshu Dhulia on tightfisted critics, producers he could perhaps kill, and what his experience of theatre and television taught him about filmmaking
Kahaani
The film is gripping enough for you to not realise its plot holes until the credits roll
Paan Singh Tomar
Part docu-drama, this film tells the story of a forgotten hero with rare depth
Minding their Ps and Qs in Kahaani
Making the unit behave itself in a horrifying morgue, enforcing the discipline of working in real locations, and the other prefect duties of director Sujoy Ghosh
The Artist
Never mind all those Oscars. This film is cute, not great. And the dog is the real Best Actor
Saeed Mirza Is Still an Angry Man
The director of the seminal Albert Pinto Ko Gussa Kyoon Aata Hai on his career as a novelist, the West’s racist ideas and why he found films “very limiting”
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