The art of turning images into a mobile sensibility

Arpita Singh’s work, irrespective of its theme and ambition, is touched by a deeply personal, almost mystical, truth. Broken phrases and stray words are strewn all over her images, to set up the context to which these may be anchored

What lies beneath the sensuous eloquence of Prabuddha Dasgupta

There is a special pleasure in viewing the dissonant sensibilities of Rakhi Peswani and Zakkir Hussain, making statements in individual voices but ultimately connecting dots across artistic styles, historical eras and geographical regions near and far

The Gujral Foundation’s decision to present two artists from India and Pakistan in its collateral show at the 56th Venice Biennale this year did seem like a risky proposition. Thankfully, it was the choice of artists that made the difference

Would Ono have been remembered as an artist in the league of Andy Warhol had she never been associated with Lennon, had she only produced her non-Lennon work and not been glorified or castigated as the legendary singer’s widow?

The world’s most famour curator remains relevant by creating what he calls Gesamtkunstwerk, a comprehensive work of art. A reading of Hans Ulrich Obrist’s Ways of Curating

It is easy to be taken in by the decorative elegance of Raza’s work. But once you begin to look beyond the formal beauty of his work, you encounter a stubbornly abstract language, refusing to yield its mysteries

Dayanita Singh’s book-based installation weaves elegance and intelligence, concept and creativity, into a logic of unity