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cinema

Dilip Kumar (1922-2021): The Original

Kaveree Bamzai

With the flicker of an eyelash, an artfully displaced lock of hair, a careful modulation of his voice, he could make women swoon and men weep. Muhammed Yusuf Khan was the last of a gilded trinity that defined an era

From India with a Dream

Desi actors of another era who had made it big in Hollywood

Business Class Bollywood

A $3 trillion economy does not have a substantial middle class that spends, which means the model of film consumption today is business class

Every Woman’s a Tigress

For Indian movies, these are still radical ideas, and who better than Balan, in her unsmiling, solitary alter ego, to articulate them?

Pan Nalin: The Return of the Native

Pan Nalin left his home in Gir Forest to pursue filmmaking. With his new movie, an elegy to a lost era of celluloid magic, he returns to Kathiawad. Prahlad Srihari in conversation with the director

Ramesh Sharma: Mahatma’s Messenger

Ramesh Sharma’s award-winning documentary on the Gandhian concept of non-violence is gaining international attention

Sense of Entitlement

The tragedy of second-generation starlings in Bollywood

The Pilgrim’s Progress

From the martyrdom of Thomas Becket to the holy relics of Hindi cinema

Sushant Singh Rajput: Forever Young

It’s been a year since the death of Sushant Singh Rajput, a rising star who never quite fulfilled his early potential, but whose alleged suicide exposed much of the ugliness inherent in Bollywood’s beautiful people

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