Shradha Sukumaran
Not very long ago, Vidya Balan was overweight and old-fashioned. But somehow, she returned from the verge of self-destruction stronger and hotter.
In the final days before the release of his film Love, Sex Aur Dhokha, director Dibakar Banerjee gave Open full access to his life.
“Most producers don’t know how to read a script. The development heads in corporate and big production companies are the worst.”
Boman Irani has never been to an acting school, but he is still an intelligent actor. He knows that audiences today appreciate complex characters, and playing just a good or bad guy isn’t enough.
The actors are likeable enough, but the designer psychology gives it a distinctly phoney tone.
Yet another simplistic movie about the red carpet dreams of a starry eyed traveller to tinsel town.
The Hindi film industry is notorious for lifting stories. Is there a solution?
At his cosy apartment off Peddar Road in Mumbai, the director of India’s 1978 cult film Don is shaping his second innings in Hindi cinema. After a 31-year hiatus, Chandra Barot, 67, is raring to have one more shot at moviemaking.
How he understands his audience, how he uses his gift of curiosity, how he managed to tame the media and why he is a different man.