Rosalyn D’Mello
Art is closer to handmade technology on the canvas of Ranbir Kaleka
Rameshwar Broota and the exploration of corporeal vulnerability
Moments of transcendence and dissonance at the India Art Fair. A critic’s diary
The India Art Fair returns with the fantastical, familiar, political and the ecological
The fourth edition of Kochi-Muziris Biennale exudes utopic candour
When our favourite artists are cast as predators, what do we do with their art? Shreevatsa Nevatia on the dilemma