Georgina Maddox
Is Anurag Sharma’s dream venture a ‘me too’ flash in the pan or does he mean business?
The fate of both peasants and animals in Ramkinkar Baij’s art is a record of change in a post-industrial world
Neville Tuli on the difficulty of raising Rs 10 lakh in cash while Osian’s had Rs 1,000 crore in assets, and the bad press that he gets
Why are battles so one-sided in our visual representations of conflict? Why is there never a possibility that the outcome could be reversed?
In the midst of the Afghan war, Indians have been conserving pre-Islamic art, Buddhist monuments and Mughal gardens, even tracing links back to the Bronze Age.
A catalogue of books or an art catalogue? It’s all the same when it comes to the one created by Seagull Books.
Mrinalini Mukherjee on how exhibitions allow her to view her own works in a new light and why there can be no retirement for an artist.
Time and space, and inner and outer worlds, come together in Rahab Allana’s diptychs.
At the start of yet another fierce, heartless summer in Delhi, comes the enigmatically titled exhibition, Snow, on Kashmir.
An intriguing art project by Khoj Studios facilitates conversations between the city and its teeming millions.