Making the unit behave itself in a horrifying morgue, enforcing the discipline of working in real locations, and the other prefect duties of director Sujoy Ghosh
Never mind all those Oscars. This film is cute, not great. And the dog is the real Best Actor
The director of the seminal Albert Pinto Ko Gussa Kyoon Aata Hai on his career as a novelist, the West’s racist ideas and why he found films “very limiting”
Milan Luthria, director of The Dirty Picture, on his fear of beginnings, love of dark characters and favourite Bollywood era
This unusual love story is somehow watchable for holding romance up to reality
Rishi is the least Kapoor-like of the Kapoors: shorn of the family mannerisms and preoccupation with their image. Now, on the eve of turning 60, he is getting the roles of a lifetime and relishing them too
The effort to dramatise Imran Khan’s hygiene obsession, the trouble with sparse scenes and how director Shakun Batra tried keeping it real