Cinema

Yamla Pagla Deewana 2

Ajit Duara

The sequel misses the Punjabi humour of the original film

The Alternative World of Rituparno Ghosh

Myna Mukherjee

The filmmaker who allowed himself to appear naked on the silver screen

The Curious Case of Manoj Night Shyamalan

Nikhil Taneja

Hollywood’s black sheep talks about his reputation and fears—and of filmmaking as therapy

Yeh Jawaani Hai Deewani

Ajit Duara

A film as rootless and rife with loose ends as the pretty people in it

Ishkq in Paris

Ajit Duara

Preity Zinta’s Before Sunrisesque comeback film doesn’t hit the spot

Birth of the Indian Undead

Devika Bakshi

What makes zombies interesting and why Go Goa Gone gets it right

Wearing Blinders

Annie Zaidi

Why do women filmmakers in India not want to talk of sexual violence?

The Reluctant Fundamentalist

Ajit Duara

Mira Nair’s translation of Mohsin Hamid’s novel into cinema is riveting

The Poor Man’s Pop Star

Shaikh Ayaz

For years, Mithun Chakraborty has been a victim of elite prejudice—what multiplex goers call a ‘downmarket’ star. But the emergence of filmmakers from small-town India can change that

Star Trek Into Darkness

Ajit Duara

A super villain whose name is Khan, a confusing plot and some superb action

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Cinema

Yamla Pagla Deewana 2

The Alternative World of Rituparno Ghosh

The Curious Case of Manoj Night Shyamalan

Yeh Jawaani Hai Deewani

Ishkq in Paris

Birth of the Indian Undead

Wearing Blinders

The Reluctant Fundamentalist

The Poor Man’s Pop Star

Star Trek Into Darkness

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