When Roy writes, ‘The youth, in preparation to an attack, marked each venue by reading from their prayer books in an act most of us are familiar with as a precursor to a holy war or fight’, he comes close to demonising a community.
Jaipur Literature Festival’s producer Sanjoy K Roy takes exception to a piece we ran on the litfest and Salman Rushdie affair
A dispassionate history of sex and the powerful mythologies that have surrounded it down the ages
As Miss India auditions begin, it is a good time to ask why this little South American country wins so many world titles
Pablo Bartholomew seeks to recover a forgotten way of seeing by revisiting his work on Bombay done 25 years ago
Another ‘provocative’ art show, another right-wing attack. And the themes that draw their ire only seem to widen every year
Open’s staff writer Mihir Srivastava likes to sketch nude portraits of regular people—men and women, strangers and friends, thin and fat. Some are disgusted when he asks them if they would pose for him. But, surprisingly, many agree. Why?
This is cinema that can make a masochist wince. So how come it is acquiring fans who know—or ought to know—good cinema from bad?
From Raza to Husain to the leader of the Bombay Progressives, FN Souza, nobody really knew what modern art or modernity was. It was Paris and its influences that gave their amorphous ideas a sense of form and identity