Kiran Nadar Museum of Art

The First Sagas

Noor Anand Chawla

Innovative technology brings alive Australia’s indigenous culture

Why Kiran Nadar Matters

Suhel Seth

How to amplify India’s soft power internationally

Framing India

Neelabh Raj

Raghu Rai’s pre-digital photographs capture the everyday and the extraordinary

Anupam Sud: A Printmaker’s Passion

Noor Anand Chawla

Anupam Sud plays with the human form to tell a sinister story

Points of View

Antara Raghavan

India of the 1800s and 1900s seen through a French and Indian lens

Joining the Dots

Ritika Kochhar

Movements and conversations of modern Indian art

Remembrance of things to come

Rajni George

Stretching from Partition through recent violence against women, the work of Amar Kanwar is a constant conversation with history. The reclusive artist explains why

Misadventurers in the Museum

Trisha Gupta

The women whose imaginations currently fill Delhi’s Kiran Nadar Museum of Art are many things, their work an inventory of artistic possibility

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Kiran Nadar Museum of Art

The First Sagas

Why Kiran Nadar Matters

Framing India

Anupam Sud: A Printmaker’s Passion

Points of View

Joining the Dots

Remembrance of things to come

Misadventurers in the Museum

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‘There was a whole world in the ancient caves in the Deccan,’ says William Dalrymple

Why Britain Is Broke

The Discovery that Changed Indian History

Guru Girija

The Empire of Ideas

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