If women dancers faced the ‘devadasi stigma’, men didn’t have it easy either in a field where there was no readymade space for them. The story of VP Dhananjayan’s struggle to break away from Kalakshetra and establish himself as a solo male Bharata Natyam dancer
Legendary Bharatanatyam dancer Balasaraswati’s story, as told by her son-in-law, is pleasant enough but it glosses over the debate at the heart of the art form—the abuse inherent in the devadasi system