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Cinema
Tanu Weds Manu
A predictable love triangle, buoyed by some deft, startling sequences and accomplished star turns
7 Khoon Maaf
Its director seems to think that if you light a movie dimly enough, depth and meaning will emerge. Alas, it never does
Patiala House
With its formulaic perspective and wishy-washy characters drawn from British sitcoms, this is no Bend It Like Beckham. Or even close
Yeh Saali Zindagi
Yet another disappointment to add to Sudhir Mishra’s list of ho-hum flicks
A Tamilian in Bollywood
Actor Madhavan on his harmless stalker, weight issues and sexy vegetarians
127 Hours
Danny Boyle specialises in turning the corporeal existence of humans into high art, evoking a rare empathy from the audience
Dil Toh Bachcha Hai Ji
Unlike a Bhandarkar movie, it has no memorable characters, no social commentary, and sadly, no big laughs either
The Narrative of the Multi-Linear Plot
The braided storyline, used so stylishly in Dhobi Ghat, can actually be traced back to Leo Tolstoy’s War and Peace and DW Griffith’s 1915 film, The Birth of a Nation
Smita’s Boy
Prateik Babbar on friend, mentor and ‘father’ Aamir Khan, and Kiran Rao’s disconcerting stare
Dhobi Ghat
The city of great texture and matching indifference is poignantly captured by Kiran Rao in a sparkling debut
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