If migrants are responsible for crimes in India’s cities, why are they always from the labour class?

The fixing going on in the game played by the police to screw Sreesanth and Co

Let’s stop making silly assumptions about what drove Jiah Khan to suicide

Mallika Sherawat is right and Priyanka Chopra wrong about India

What makes Mumbai’s municipal corporators demand a ban on scantily clad mannequins

Indian writing in English rarely ever matches the gems of vernacular literature, such as this Marathi novel

What cases of police personnel getting caught on camera hitting women say about a welcome new world in the making

On the absurdity of the nude dance of an NSUI president becoming such a big deal

The filmmaker may have taken a realistic turn with homosexuality in Bombay Talkies, but he deserves credit even for silly gay portrayals in commercial films like Dostana

The third of May marks one hundred years of the release of Dadasaheb Phalke’s Raja Harishchandra, the first ever Indian feature film. Paresh Mokashi, director of the Marathi film Harishchandrachi Factory, based on the making of Phalke’s film, recounts Phalke’s extraordinary adventure. As told to Madhavankutty Pillai

CELESTIAL HEROISM IS a bestseller, unless it is badly made. In it merges great survivor dramas and the romance of breaching the boundaries of human…