Rosalyn D’Mello is an art critic and the author of A Handbook For My Lover
There’s no dearth of ideas in Subodh Gupta’s studio. There is always activity, a leaping forward in terms of material and scale
07 December 2016Always loyal to the figurative, Krishen Khanna still retains the lyrical possibilities of his lines
09 November 2016Navjot Altaf and a sensibility shaped by Bastar and other distant cultures
12 October 2016A new show is a corrective gesture that brings together works by many founding members of Group 1890
14 September 2016Bharti Kher smells with her tongue to make her art
24 August 2016Rehaan Engineer lives by a simple diktat: whoever wishes to devote himself to painting should begin by cutting out his tongue
14 July 2016Material has been at the crux of Benitha Perciyal’s art, embedded as it is in the philosophical notion of organic decay
08 June 2016Our columnist’s visits to the studios of leading artists will bring together the intimacy of appreciation and the privacy of creation
05 May 2016The rawness of emotion and the earthiness of material give the sculptures of Himmat Shah a primeval aura
30 March 2016Is writing a memoir worth the sacrifice, the self-shaming, the self-aggrandising?
08 March 2016CELESTIAL HEROISM IS a bestseller, unless it is badly made. In it merges great survivor dramas and the romance of breaching the boundaries of human…
10 April 2019Pratap Bhanu Mehta is one of India’s most influential columnists and public intellectuals
Brahma Chellaney is a geostrategist and the author of two award-winning books on water: Water, Peace, and War and Water: Asia’s New Battleground
MJ Akbar is the author of several books, including Doolally Sahib and the Black Zamindar: Racism and Revenge in the British Raj
Ram Madhav is a member of the National Executive of RSS and a founding member of the governing council of India Foundation. He is the author of, among other titles, Partitioned Freedom and The Hindutva Paradigm
Makarand R Paranjape is professor of English at Jawaharlal Nehru University, New Delhi. Views are personal.