The new Indian millionaire is savvier, less in thrall of big brands and more dictated by his design sensibility, his utilitarian needs, and a heady and often quirky mix of styles. He can leave you, and marketers, guessing.
As Pandit Ravi Shankar crosses 90, his disciple Subhendra Rao tells us how his guru groomed him for the world.
Anupam Kher was to play the character of a Disco Killer who was hired by Pankaj Kapoor’s character to kill the two protagonists.
Jaane Bhi Do Yaaro, arguably the funniest Indian film ever made, was made on a meagre budget, featured mostly unknowns, and hardly anyone involved believed in it. It became a classic, and almost all its alumni went on to highly successful careers. A celebration
The oldest surviving form of Indian classical music finds no sponsorship or billing in concert catalogues today.
Rare and largely unseen documents on the 1857 uprising make a surprise visit out of the National Archives of India.
Lama Tashi, whose chanting won him a Grammy nomination, is overly busy now with a range of projects on Himalayan and Tibetan culture.
Women have traditionally been seen as nothing more than beautiful distractions on a magician’s stage. But now, they’re breaking the stereotype to create their own brand of illusions.
Inside the curious mind of Imran Khan, who is as comfortable behind the camera as talking about Formula 1 technology and hostile Andaman tribes.
One of South India’s most talented directors is proving himself an utter waste in trying to appeal to a wider market, his Raavan being a glaring case in point.