Rachel Dwyer
What Indian films can do for tourism, à la The White Lotus
The evolution of curses in mythology and cinema
This is a well made film, but why make a martyr of the man whose life it’s about?
The films that India considered for its entry to the Oscars this year may not merit the mania around them, but are part of an emerging cinematic sensibility that is worth our time if not the Academy’s
1
Nandini Nair
2
Minhaz Merchant
3
Ullekh NP
4
Brahma Chellaney
5
PR Ramesh
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