The same night whitening the same trees. We, of that time, are no longer the same. — Pablo Neruda, ‘Tonight I can write the saddest lines’ 1. Today I want to write about love — of loves past and present, maybe future. I want to remember, write about good things — not about what did not work out or ended, nor the fights or misunderstandings.
Today I want to dream of love’s goodness, its sense of nurture, companionship, calm — not the wild fantasies, loyal lust, or electric desires.
Today I want to write about love in the morning — not late at night.
I want to wake up very early, despite my body-clock, reclaim what dawn bestows on us before we are awake.
Today I will sit on my trusted blanched driftwood, accidentally wedged between two jagged rocks whose slow-fraying volcanic ash tries to colonise its colour.
I want to etch letters of love on her white bark before she floats ocean-wards, leaving only memories.
Today I want to write on love — on paper handmade from bamboo, whose grainy imperfections remind us of life’s unpredictable lore.
As I unscrew the top of my glass ink-bottle, the purple haze of my favourite ink fumes.
I stretch the first sheet of paper and start writing the letters, upside down — hoping the ones I intimately loved will decipher their mirror-image secrets, their truths, under the lens of clear sight.
2.
It is now, the day’s end — I have written copiously on sheaves and sheaves of off-white petal-flecked paper.
My amassed cursive-script glows in the dusk’s deep-orange, blue-tinged, raw light. The black lava-sand on the beach murmurs, the ocean is restless, the high tide hungry.
It is time to gather all the letters and poems of love I have scribbled today, and head to home’s safety. But I must write one more line, a line that eluded me all my life — that translucent phrase formed of liquid-letters floating in front of my eyes, impossible to pen down on paper, despite its gravity.
The light is fast fading. The loose pages I have written on, try hard to disengage themselves in the evening’s gathering wind. I start, attempting to write that elusive line, and before I can end with the flourish of a full-stop — an unexpectant wave rushes towards me.
And even as I gather all my words, it washes over them.
As the wave retreats, I pick up the saline-soaked pages — the waters have taken all my words away. All my script’s slanted ink has been washed off by the ocean’s acrid unbenign waters.
I stare at the smudged pages — all my words gone — and love too.
A pack of stray beach dogs appear — I count 17 of them — rushing towards the scattered papers.
mistaking them for food, for love.
They ruthlessly paw at them, scratch and devour them. I see these canines are satiated, albeit temporarily.
I wanted to write about love today — and I did.
But the sea, the wind, the black-sand I so love have taken my lines away from me.
I try to write about love — that unfinished, unwritten line eludes me — always. Perhaps I was never meant to write about love.
Sudeep Sen is a poet, literary editor and photographer. His book, Anthropocene is part of The Eco Trilogy. The next two books in the series, Red and Rock, will appear in 2025
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