The same night whitening the same trees. We, of that time, are no longer the same. — Pablo Neruda, ‘Tonight I can write the saddest lines’ 1. Today I want to write about love — of loves past and present, maybe future. I want to remember, write about good things — not about what did not work out or ended, nor the fights or misunderstandings.
Today I want to dream of love’s goodness, its sense of nurture, companionship, calm — not the wild fantasies, loyal lust, or electric desires.
Today I want to write about love in the morning — not late at night.
I want to wake up very early, despite my body-clock, reclaim what dawn bestows on us before we are awake.
Today I will sit on my trusted blanched driftwood, accidentally wedged between two jagged rocks whose slow-fraying volcanic ash tries to colonise its colour.
I want to etch letters of love on her white bark before she floats ocean-wards, leaving only memories.
Today I want to write on love — on paper handmade from bamboo, whose grainy imperfections remind us of life’s unpredictable lore.
As I unscrew the top of my glass ink-bottle, the purple haze of my favourite ink fumes.
I stretch the first sheet of paper and start writing the letters, upside down — hoping the ones I intimately loved will decipher their mirror-image secrets, their truths, under the lens of clear sight.
2.
It is now, the day’s end — I have written copiously on sheaves and sheaves of off-white petal-flecked paper.
My amassed cursive-script glows in the dusk’s deep-orange, blue-tinged, raw light. The black lava-sand on the beach murmurs, the ocean is restless, the high tide hungry.
It is time to gather all the letters and poems of love I have scribbled today, and head to home’s safety. But I must write one more line, a line that eluded me all my life — that translucent phrase formed of liquid-letters floating in front of my eyes, impossible to pen down on paper, despite its gravity.
The light is fast fading. The loose pages I have written on, try hard to disengage themselves in the evening’s gathering wind. I start, attempting to write that elusive line, and before I can end with the flourish of a full-stop — an unexpectant wave rushes towards me.
And even as I gather all my words, it washes over them.
As the wave retreats, I pick up the saline-soaked pages — the waters have taken all my words away. All my script’s slanted ink has been washed off by the ocean’s acrid unbenign waters.
I stare at the smudged pages — all my words gone — and love too.
A pack of stray beach dogs appear — I count 17 of them — rushing towards the scattered papers.
mistaking them for food, for love.
They ruthlessly paw at them, scratch and devour them. I see these canines are satiated, albeit temporarily.
I wanted to write about love today — and I did.
But the sea, the wind, the black-sand I so love have taken my lines away from me.
I try to write about love — that unfinished, unwritten line eludes me — always. Perhaps I was never meant to write about love.
Sudeep Sen is a poet, literary editor and photographer. His book, Anthropocene is part of The Eco Trilogy. The next two books in the series, Red and Rock, will appear in 2025
More Columns
Passion for the Preloved Saumyaa Vohra
Mum’s the Word Kaveree Bamzai
Losers Back Home, On Top in Thailand Kaveree Bamzai