Santosh Sivan wins the highest cinematography award at Cannes. The filmmaker-cum-photographer talks to
Panag has been acting since her debut in the wellregarded Dhoop in 2003, continues to be relevant in the age of streaming
Abhishek Banerjee's characters swing from extreme darkness to extreme light
A wave of independent films sweeps over the 77th Cannes Film Festival
Priyanka Chopra-Jonas is one of those rare people who wants to share her spotlight, says Srishti Bakshi
At 37, she is not only one of the shining stars of Sanjay Leela Bhansali’s Netflix series, but also a producer
There is only one recording of the play Tumhari Amrita first performed in 1992, says the play director Feroz Abbas Khan
Dibakar Banerjee’s sequel to his breakout hit disguises social commentary as a thriller. The filmmaker in conversation with
The poet whose songs defined a generation’s angst was as mercurial as he was brilliant