Nagraj Manjule’s third feature film is yet another sharp critique of upper-caste oppression, establishing him as the truthteller of Marathi cinema and beyond
Queer people tend to be over-sexualised, says Badhaai Do’s director Harshavardhan Kulkarni
What seems progressive in one era may well seem retrograde in another
Three documentaries—about pioneering women journalists, brothers who rescue birds, and the lookalikes of Bollywood stars—are getting international recognition
Deepika Padukone is reshaping the idea of the Hindi film heroine and of the Indian woman, one movie at a time
Shakun Batra is happy to describe himself as a team player who is eager to share credit
I gave up a lot of privilege to stand at the back of the queue and make cinema the way I wanted to, says Mozez Singh
There was a time when getting into Hindi film industry was called a struggle. Now, actors prefer to call it a process