What we have in Wajah Tum Ho is a badly executed movie, stuffed with cliches and hackneyed scenes

This is a film which could have said much more than it does about industrial accidents

The movie is the same old mundane, post modern angst about the impossibility of separating love and lust that we have seen in Hindi films over the last few years

Frankly, this movie is not recommended for anyone, except, perhaps, a die hard cultist

Had it not been for the intensity with which Vidya Balan imbues every character she plays, this film would not have been worth the look in

A watchable film that does not let you down, except, perhaps, at the very end

The best part of the writing of the film is in the way the two characters change, as layers are peeled off from their respective personae

It is an oddball of a movie, cliched and predictable in many ways, but never boring

The movie is short on content, and long on never ending passages of chase scenes, gun fights and fisticuffs

It is a sad film about war seen through the starry filter of American consumerism