Dancing Poles

Stealing the show is becoming something of a habit with this young Polish troupe. Rajasthan loved them too

It was odd to hear sounds from the Polish countryside reverberate in Jodhpur’s Mehrangarh fort. As the evening proceeded, one could see startling similarities between Polish and Indian folk art. Essentially agriculturists and fishermen, most of the dances from this Central European country seemed to be inspired by nature as well. And just like Indians, the Poles too were just beginning to rediscover the treasures of folk art hidden in the nooks and alleys of their country. As the lights came on, young boys and girls from the Polish group Warszawianka began their panoramic act at the Jodhpur Riff (Rajasthan International Folk Festival).

“Folk arts were earlier associated with communism and were considered cheap and tacky,” says Ewa Sonczyk-Buczyñska, spokesperson for the group. It is only in the last 20 years that a movement of sorts has begun to revive these traditions. “In fact, it has now become obligatory for children in kindergarten to learn these dances,” she adds.

Warszawianka was established 28 years ago in an attempt to make citizens of Poland aware of their cultural heritage. This folk song and dance ensemble happens to be a representative group of Warsaw University, which is the biggest educational institution in Poland. “During the communist era, it was very difficult to establish and maintain cultural groups. Today, such groups are being financed by universities and cultural organisations,” explains Ewa, who met her husband when she joined the group.

This huge ensemble, consisting of more than a hundred students and professionals in the age group of 19-25, specialises in local regional dances like the polkas, mazurkas and obereks.

Of the 100-plus members, only 22 have come to India. These dancers take the audience on a journey through Poland—from the mountains in the south to the northern seaside. Each style represents the character of people inhabiting the region. “For instance, in the north, most people are fisher folk. The music is fluid, light and rhythmic. In the south, the style and costumes are very similar to those of Slovakia and Hungary, as they share the border with us,” elaborates Ewa. The dresses and patterns are inspired by the local crops and natural colours. “Violin is the most prominent instrument used in music across the regions; though the south is heavy on the drums, and a deep bass characterises the music of the north,” she adds.

The group has performed across the world, with their performances inspiring people to learn more about Polish dance and music. Though groups like Warszawianka are being appreciated in Poland, their popularity has still not coaxed people into taking up the arts as a full-time profession. “It is still a hobby and not a career option. We hope that things will change in the years to come,” sighs Ewa.

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Avantika Bhuyan