Bollywood

Money or Succession Issue: The Compulsion of Selling Family-Run Business

Short Post

There is a similarity between Enfield and India Cements in their sale

Manav Kaul Lives for Art

Kaveree Bamzai

He’s stayed away from the temptations of Bollywood by not getting typecast

Shekhar Kapur: At Home in the World

Kaveree Bamzai

The new director of the International Film Festival of India has been in the business for fifty years but Shekhar Kapur has his eyes set on the future

Lakshya’s Resilience

Kaveree Bamzai

Lakshya Lalwani’s journey is not merely one of patience and resilience, but also of self belief that acting was what he was meant to do

Inside Nag Ashwin’s Mind

Kaveree Bamzai

The director of the recordbreaking Kalki 2898 AD had always felt that Ashwatthama’s story was unfinished

The Magic of Malegaon

Kaveree Bamzai

When the fictional version of Supermen of Malegaon hits the screens, the audiences, and journos will forget it’s based on a terrific documentary even if it says so on the credits

The Cost of Akshay Kumar

Kaveree Bamzai

The actor announced that his own payments be placed on hold until every single crew member received their full and final payment

Raghubir Yadav: The Art of Being

Kaveree Bamzai

Yadav is one of the few actors in the industry who have not been calcified or corrupted

Scenes by the Seine

Rachel Dwyer

When Hindi cinema spends an evening in Paris

Christo Tomy’s Undercurrent

Kaveree Bamzai

In his debut feature film, Ullozhukku (Undercurrent), Christo Tomy returns to family dynamics—lies, secrets and lack of conversation—and its often corrosive impact on relationships