Shoojit Sircar sees it as his responsibility as a filmmaker to make fresh, intelligent, unbiased films, regardless of commercial success

Imran Khan grows himself up as an actor through trial, error and humour

Aanand L Rai and Himanshu Sharma, the director-writer duo famous for Tanu Weds Manu and Raanjhanaa, talk about the unique brand of love that has made their films box-office successes

Raj Nidimoru and Krishna DK, among the first filmmakers to get zombies into Bollywood, on making movies with an edge

Hollywood’s black sheep talks about his reputation and fears—and of filmmaking as therapy

Michael C Hall, the fascinating serial killer of Dexter, the hit American TV show, talks about dealing with his inner dark passenger, on and off screen

Aasif Mandvi, ‘Brown Correspondent’ of Jon Stewart’s The Daily Show that airs in America, on satire, pop culture and bigotry

For the first time at Cannes, separate films directed by a father and son are being screened. David, the father, is a master of the ‘body horror’ genre. But Brandon, a debutant director, would rather not be seen as his son

Bafta-winning actor Robert Carlyle talks about living in the skin of his characters, going homeless on the streets of London, turning director, and his new movie, California Solo

American TV’s ‘new girl’ is half-Indian, proud of it, and strives to make herself ethnically ambiguous

CELESTIAL HEROISM IS a bestseller, unless it is badly made. In it merges great survivor dramas and the romance of breaching the boundaries of human…