
If we see a shadowy figure walking down a dark street, our sense of whether it is coming at us or walking away depends on whether we see it as a he or a she, new research finds.
If we see a shadowy figure walking down a dark street, our sense of whether it is coming at us or walking away depends on whether we see it as a he or a she, new research finds. To see what other kinds of details people might glean from movements, scientists had volunteers watch clusters of dots shaped roughly like people. These were created by attaching lights on the real people and filming them as they either walked on a treadmill toward or away from a camera. As these stylised figures walked, their movements were manipulated to range anywhere from a ‘girly girl’ to a ‘hulking male’. The halfway point was a gender-neutral walker that volunteers judged as male half the time and female the other half. Oddly, when these ambiguous figures were judged as masculine, volunteers saw them as approaching them, even when the actual people these figures were based on had walked away from the camera. Moreover, when these figures were judged feminine, volunteers saw them as walking away from them, even when in real life the women had approached the camera. It is tempting to speculate that this effect reflects the potential costs of misinterpreting the actions and intentions of others. For example, a male figure that is otherwise ambiguous might best be perceived as approaching to allow the observer to prepare to flee or fight.