The Indian Parliament cleared two new laws to henceforth govern domestic, international sporting encounters
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17 Aug, 2025
The India-Pakistan clash at the Asia Cup T20 tournament scheduled in Dubai, come September 14, was inadvertently called off on August 11 itself when the Indian Parliament cleared two new laws to henceforth govern domestic, international sporting encounters. The National Sports Governance Bill and the National Anti-Doping (Amendment) Bills became the national authoritative laws governing sports emanating out of India, established clear legal framework for sports bodies, introduced stricter accountability and dedicated mechanisms for dispute resolution. The Anti-Doping Amendment Bill aligns India’s anti-doping agency with global standards. The National Sports Board has authority to recognize/derecognize National Sports Federations, can suspend bodies while enjoying the powers of a civic court of law with its decision being final only allowing for appeal before the Supreme Court of India. While the ostensible reason for the NSB is to clear the currently pending backlog of 350 court cases sources indicate that the cancellation of the India-Pakistan Asia Cup tie is already a foregone conclusion. Already public opinion has consolidated against India playing the fixture against Pakistan in the wake of the Pahalgam terror attack following which India has not only cut off the rogue nation’s water supply under the Indus Waters treaty of 1960 but also cut off all further ties with Pakistan. Even the BCCI, mostly independent of government funding, has been brought under provisions of the RTI. The bill was amended so that RTI would only apply only if the private cricket trust accepts government funding to allay fears of unwanted government controls. However, the BCCI has consistently accepted waivers of tax levies and fees payable for conducting the multibillion-dollar IPL, other cricket tournaments for years now. (By Renni Abraham)
300-Acre Education Hub To Come Up In Third Mumbai
The successful redevelopment of the first phase of the Bombay Development Directorate (BDD) or famously known as BDD chawls, with keys being handed over to 556 of the over 15,000 residents, marks a significant beginning for Asia’s largest urban redevelopment project in the housing sector of Mumbai. The journey of the 556 residents from 160 sq ft to 500 sq ft houses, has been marked with much political churning with the chawl residents being historically divided into various community specific groups like Maharashtrians, Dalits and even Telugu residents. Spread over 92 acres in Worli, Naigaum and Sewri, the 206 three-storied chawls housing about 15,593 residential and 960 commercial units will now be housed in 68 buildings of minimum 19-34 storied. The project will be subsidized thanks to eight sale component buildings of 41-66 plus storied plush buildings. Incidentally, chief minister Devendra Fadnavis, who has been battling charges of the Marathi-manoos, the native man, being displaced out of Mumbai, urged the BDD residents to not sell their flats and safeguard it for their future generation akin to family gold. On the same day, while addressing a builder’s body, Fadnavis lamented how despites sops being offered to developers, they had not helped in making housing affordable for the common man. He wondered why projects kept lagging behind schedule at a time when the world had technology to build 80-storied buildings within 120 days. Meanwhile, in another major leap, after developing Mumbai and Navi Mumbai, the Maharashtra government is planning to develop an education hub termed third Mumbai. Spread over 300 acres, the educational hub, close to the upcoming Navi Mumbai airport has plans to host 14 foreign varsities with residential facilities for one lakh students. (By Hepzi Anthony)
How The Writers Sank An Over Ambitious ‘War 2’?
On paper this film had everything: a near Rs 400 crore production, two of India’s biggest stars — Hrithik Roshan and Jr NTR — backed by Kiara Advani, Anil Kapoor and Ashutosh Rana, and the marketing muscle of a major studio. It should have been a global blockbuster. Instead it collapsed under its own weight, and the fault lies squarely with the writers. The story is credited to Aditya Chopra, a name associated with some of Hindi cinema’s biggest commercial properties. The screenplay and execution were entrusted to Sridhar Raghavan (whose earlier work on big projects raised expectations) and dialogue by Abbas Tyrewala, a writer capable of sharp lines. Together they should have turned this star-studded canvas into a taut, emotional spectacle. Instead, overconfidence and sloppy plotting have produced a film that looks spectacular but feels hollow. Technically, the film often delivers: lavish set pieces, slick VFX and ambitious action set-pieces that scream big-budget cinema. But those production values only highlight the script’s failures. Characters are one-dimensional; motivations are perfunctory; scenes exist to justify action rather than to emerge from character. Even sequences that should thrill — aerial dogfights, tense confrontations — veer into the absurd and invite laughter instead of awe. This is not a failure of stars or resources but of storytelling. Aditya Chopra’s confidence in scale seems to have tipped into complacency: the belief that marquee names and massive budgets can substitute for a coherent story. What should have been a Rs 1,000 crore-level tentpole looks unlikely even to cross Rs 250 crore. This movie is a reminder: scale magnifies both strengths and weaknesses. No amount of star wattage, stunts or VFX can compensate for an unmoored script. (By Girish Wankhede)
Just Asking: Can Cricket And Blood Flow Together?
It is not only Shiv Sena leader Aaditya Thackeray’s criticism of India playing Pakistan in September that will be ringing in Indian ears. Whatever the BCCI’s justification for fielding Team India in the Asia Cup T20 tournament in the UAE next month, it is certain to prove unpopular. This will certainly be displayed most on social media where people have already noted that it is BCCI’s greed that is driving this move to resume sporting ties with Pakistan. Coming as they do so soon after hostilities on the border have barely ceased and the success of Operation Sindoor is being spoken of in Parliament and outside, India-Pakistan matches may not have the same resonance as before. And to prove how greedy they are about putting up this spectacle, the organisers of the Asia Cup have shown some ingenuity in trying to bring about at least two meetings between India and Pakistan in the league and Super Four stage but also a possible third match if both teams qualify for the final. UAE may be the safest place in the world at present to host these matches, but the hit on the national sentiments of Indians and cricket lovers may be deep. “Blood and water cannot flow together,” Prime Minister Narendra Modi thundered when abrogating the old Indus Waters Treaty. Apparently, blood and cricket can now flow together. There may be some logic to BCCI trying to ensure no threat to a place for Team India in the Los Angeles Olympics of 2028, but to think playing in the Asia Cup will help is a stretch. It will be ironic if Pakistan pulls out of the matches against India. (By Tamil Raja)
Who Will Make The Cut For The Asia Cup Twenty20?
The chatter in the social media as to whether India should play Pakistan — after the Pahalgam terror attack — in the Asia Cup Twenty20 in Dubai in September has subsided a bit; it may gather steam though once the Indian team is announced on Tuesday (Aug 19), but the media has already gone on an overdrive to speculate the likely squad for the eight nation tournament. The Continental tournament is the first of a handful that will help the big boys in Asia to prepare for the Twenty20 World Cup in India and Sri Lanka in 2026 and so India – the ICC World Twenty20 winner last year – would be keen and eager to put its team through the wringer from now on. India will play Pakistan on September 14, in between its opening campaign against UAE and Oman. The Asia Cup spins around India-Pakistan clashes with a full house assured at the Dubai International Stadium. India is the host of the Asia Cup, but it has chosen to run the competition in Dubai because of Pakistan’s presence in the competition and also that a hybrid model would not work what with India refusing to travel to Pakistan for the ICC Champions Trophy that Rohit Sharma’s team won in Dubai six months ago. With India drawing the Test series (2-2) in England and with skipper Shubman Gill in good nick, the grapevine is rife with speculation of who all will make the cut, in particular Jasprit Bumrah, Gill, Yashasvi Jaiswal and Shreyas Iyer etc. The selection committee will look at a basket brimming with players, all talented bringing in their explosive dynamics to the 120-ball format. (By G Viswanath)
Odisha Kicks Off Rs 4000-Cr Plus Investment In Two Semiconductor Plants
After steel, aluminium and mining leadership, Odisha is now focusing big time on niche semiconductor business. It now wants to contribute to the national semiconductor ecosystem. Prime Minister Narendra Modi’s cabinet has approved the U.S. chip major Intel-backed 3D glass semiconductor manufacturing unit in Odisha with an investment of Rs 1,943 cr. The plant will be set up by Hetrogenous Integration Packaging Solutions Pvt Ltd with an annual production of 5 crore units. Apart from this a silicon carbide semiconductor plant will also be set up at Bhubaneswar with an investment of Rs 2,066 cr by SiCem Pvt Ltd in collaboration with Clas-SIC Wafer Fab, UK to manufacture 9.6 million Silicon carbide chips per year which will be used in missiles, satellites, telecom towers, rockets, railway engines, solar power, fast chargers and others. Immediately, Odisha focus area will be chip assembly and training and workforce development meeting infrastructure needs. Odisha seems confident to take the leap first by chip assembly followed by chip manufacturing, backed by government incentives. Union education minister Dharmendra Pradhan feels Odisha will emerge as a semiconductor hub because of “PM’s purvodaya vision of Look East Policy.” He said chip manufacturing process is part of PM’s election promise to double Odisha’s income. Sources say, though actual investment will take time to materialise, however serious assessment has already begun where Odisha stands particularly with regard to the availability of engineering talents from IITs, National Institute of Science Education & Research which compliments semiconductor start-ups. IT Minister Ashwini Vaishnav feels with these plants Odisha will be able to attract the best of brains to Odisha. (By Sangram Mohanty)
Despite Smear Campaign, Shwetha Menon Breaks The Glass Ceiling Of Malayalam Cinema
Malayalam movies abound in realism, and low budgets. But even as these movies gained recognition for down to earth plots, the reality of gender exploitation had become a scourge…female artists often faced casting couch exploitation, and other forms of sexual harassment. AMMA (Association of Malayalam Movie Artists) under superstar Mohanlal faced serious charges, chapter and verse instances that could not be swept under the carpet. The Hema Committee Report forced the entire body to resign and face fresh elections. When former Miss India Femina Beauty Queen, 51-year old Shwetha Menon threw her hat in the ring, the male oligopoly did not take it as a serious threat. But just to ensure Shwetha got besmirched by bad publicity, a scandal campaign on Shwetha made the rounds; it quoted and charged her under Section 67 A of the obscene films law …a smear campaign that would have scorched any other female artist. But not her…she got acquitted. Not only that she worked her way to win 159 votes against actor Devan who got only 132 votes. For the first time in its 31-year old history, AMMA has a female artist as its head. Even though she tries to pun on AMMA, “Yes, a real Amma heads the Association now.” She has a plan but first she wants to get all the members on her side and work without rancour. Workplace sex exploitation is widespread. But women are now getting tough and willing to crack the whip on those whose touch is creepy. (By Padma Ramnath)
Symbol Of Peace Is Reason For Political Brickbats In Maharashtra
A pigeon, or a white dove, is a widely recognized symbol of peace. This symbolism is rooted in various cultural and religious contexts, particularly in the story of Noah’s dove in the Bible. Nonetheless, the issue of feeding these birds in open public places has created unprecedented heat in Maharashtra politics for over a fortnight. The clash between the two sides has been showing alarming indications since some of those reacting on social media are seen to be using their language indiscriminately. At the core of the controversy is a fiat by the Brihanmumbai Municipal Corporation or BMC whereby feeding of the pigeons in public places called ‘Kabutarkhana’ has been prohibited. Those flouting the ban are liable for penal action. Mumbai High Court has endorsed the BMC’s decision till further orders. Chief minister Devendra Fadnavis has advised both camps to exercise restraint so that an amicable solution can be found. However, even mundane issues are seen to be painted with linguistic and community shades. Pigeons have been an integral part of Mumbai life and countless references to their existence in the metropolis are found in historical records. However, there are valid concerns since many medical experts have opined that the habitation of the pigeons causes serious health problems, occasionally fatal. The pro-feeding proponents argue that the findings are open to challenge. All said and done, passions have inflamed on both sides, some bird lovers feeding them in defiance of the ban and accepting to pay the fine. (By Dilip Chaware)
Era Of Indian Spy Thrillers, Climbs New Heights On OTT
After years of CIA and FBI stranglehold on the global cinema audience, an Israeli spy story series Fauda in 2015 became the benchmark for spine-chilling storytelling, pitting bitter enemies in death strangleholds. Fauda and later Teheran much-watched and lauded spawned a long line of spy thrillers, some even playing out the most recent and may be still unfolding events of Ranneeti: Balakot & Beyond. Fauda was cloned as Tanaav for India. But why clone, when we have our own braveheart stories? Our creative teams scaled new heights in espionage thrillers with Sare Jahan Se Accha, The Family Man, Special Ops (two seasons of pure thrills, spills and chills in which Kay Kay Menon plays the antagonist-protagonist), Sarzameen, Rannneeti: Balakot & Beyond and currently Salakaar, a hit show guaranteed to nail bite to stumps. Naveen Kasthuria, an unmistakable Ajit Doval with Mouni Roy, the alluring honey trap Mariam aka Shrishti, give a new meaning to heroism. Are these new genres building new age heroes? The valiant and versatile intel agents who risk their lives as much as the military combatant, gathering invaluable humint? We predict OTT will be the future launch pad for real life (but unseen) heroes …the reel life ones have had their day. No one denies that these thrillers carry significant hype…intel failures have changed the course of border protection. But it is clearly an era of Sare Jehan Se Acha. (By Padma Ramnath)
KIIT Promoter Achyuta Samanta Gets Image Boost From Justice Santosh Hegde
Odisha’s KIIT-KISS University promoter Achyuta Samanta is on an image building exercise. It may be recalled that for last one year Samanta, founder of the Kalinga Institute of Industrial Technology (KIIT) University and ex-Biju Janata Dal MP, has been mired in controversy over alleged suicide of a Nepalese girl student in his campus and forcible eviction of 1,000 Nepali students from KIIT campus. This move caused a diplomatic embarrassment as India and Nepal enjoy a good relationship. Recently, he invited Hon’ble Justice N Santosh Hegde, Former Judge of the Supreme Court and Former Lokayukta of Karnataka, to KIIT & KISS as chief guest to talk on “Fall in social values and its consequences”. While talking on the subject Justice Hegde heaped praises on Samanta’s contribution to KISS/KIIT institutions. He lauded the generous dedication and remarkable contributions of Dr Samanta, towards humanity and the upliftment of society. Justice Hegde said in his lifetime he has visited 1,861 institutions, yet had never seen anything like KIIT. He praised the exceptional educational infrastructure, cleanliness, and discipline maintained across the campuses. He also noted that KISS Deemed to be University—the higher education wing of the Kalinga Institute of Social Sciences—is the only university in the world exclusively for indigenous scholars. Justice Hegde compared Samanta with Atlas – the Greek mythology figure who carries the entire load on him, saying Samanta’s institution is second to none. This open praise from an impeccable Justice Hegde has indeed bolstered the tarnished image of Samanta but it has also set tongues wagging. (By Sangram Mohanty)
Sachin Got No Payment For ‘Sholay’ Role, Only A Refrigerator
‘Sholay’ has become a legend and keeps on attracting film lovers even after half a century. Many stories, real and apocryphal, associated with it abound. It has been widely reported how some of the actors in ‘Sholay’ were paid small sums for their performances and how they accepted the amounts without any murmur. One of them is veteran Marathi actor Sachin Pilgaonkar, who also has recently celebrated his film career spanning 50 years. Sachin’s role of Ahmed in ‘Sholay’ was very brief but quite powerful. The grandson of a wheelchair-bound septuagenarian, played by AK Hangal, the then teenager Sachin is remembered even today for the effective depiction. Equally interesting is the fact that Sachin was gifted with a refrigerator instead of monetary remuneration. He did not grumble since it was a common practice in those days to compensate in kind. Sachin has since appeared in numerous films and is an icon for the Marathi stage and cinema. His wife Supriya is a household name due to her varied film roles while their daughter Shriya, too, has made her debut on the screen and is well accepted. Recalling the history, Sachin has said in a social media post, “Sholay is an emotion. A celebration. I’ll always be grateful to Ramesh Sippy Ji who I considered one of my Gurus for making me a part of this magnum opus and for giving me the opportunity to learn so much even behind the scenes.” (By Dilip Chaware)
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