Deepa Bhatia spent months shooting the six episodes that comprise First Act, a Prime Video documentary series that is as soulshattering as it is hope-inducing
It required hours of patient talking, listening and observing, mostly in Aram Nagar, Mumbai, where a majority of auditions take place. Following a mother taking her children to studios and waiting till they finish shooting, observing a couple that has come in from Delhi with stars in their eyes for their child, and sitting in on a session with a young girl, on the cusp of womanhood, learning to emote from a trainer. Deepa Bhatia spent months shooting the six episodes that comprise First Act, a Prime Video documentary series that is as soul-shattering as it is hope-inducing. Bhatia, one of the finest editors in the Mumbai film industry, knows about child stars. Her husband Amole Gupte wrote the script for the much-feted Taare Zameen Par (2007). She was a close observer of how Gupte shot their son, Partho, in the lovely Stanley ka Dabba (2011)— only over the weekends so school schedules would not be disturbed, and then only if the other child actors wanted. “He was trying to show the film industry another way of treating child actors. No one was taken out of his or her environment,” she says. Sadly, the industry doesn’t seem to have learned, or rather parents haven’t, and they continue to use their children as meal tickets or just to live their dreams through them. But Bhatia is not judgemental, she understands the compulsions of parents and the dreams of their children. “The power dynamic between a parent and a working child is so skewed,” she says. Some of the most affecting scenes are with erstwhile child stars, such as Sarika, and Darsheel Safary (the young star of Taare Zameen Par). In Sarika, especially, who was her mother’s sole support, there is as much pain as there is forgiveness. Bhatia spent most of 2018 researching the movie, and then started filming in 2019, amassing over 800 hours of filming. The director of Nero’s Guests (2009), for which she had interviewed 200 farmers’ widows, she is no stranger to either documenting the many to encapsulate the essence of the subject, or to whittling down something to make sense, having edited movies such as Kai Po Che! (2013) and TV series such as Netflix’s 2023 hit, Cla$$. Her son Partho has grown up, and armed with a degree from University of Southern California, Los Angeles, will soon be ready with his first film.
Liquor or Glucon D?
As an alcoholic-turned-anti-liquor activist, Gannu, Jitendra Kumar has a field day in the Prime Video movie, Dry Day, drinking bottle upon bottle of what looks like local liquor. It turns out that it is soda, Limca, or Glucon D, says Jitendra. The movie, which is written and directed by Saurabh Shukla, celebrates the power of the woman’s vote, and what it can achieve. “It shows how women can be the catalyst for change,” says Shriya Pilgaonkar, who plays Gannu’s wife, Nirmala, who refuses to give birth to their child if he continues with his wastrel ways. Shot in Bhopal over 45 days, the cast spent some time perfecting the accent and the body language of the area. There is more than a measure of political comment in the film which shows what happens when the common man discovers the stratagems needed to get ahead in politics, whether it is a spot of trickery or a little bit of treachery. Fighting evil with evil is a time-honoured tradition in politics, and Jitendra’s character does just that to his powerful local patron, who is played by Annu Kapoor. Shukla believes art is more reflective of politics, than journalism, for instance. “The idea of a film like this is to allow viewers to imagine for themselves, through a man who accidentally finds a cause for himself,” he says. “I want to tell stories from reality but not to depress you,” says Shukla. “We have enough of that.”
Scene and Heard
If Jashan, the young man in Christmas As Usual, a popular Norwegian film on Netflix, looks familiar, it is because he is. Kanan Gill, a well known comedian, has now placed himself in the West, and is auditioning for parts where they require mildly handsome, non threatening Brown young men who can be brought home for Christmas. With both the streaming of romances and diversity going hand in hand, we can expect Gill to be busy in the West for a while.
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