Bharti Kher’s new installation is an exploration of the light-and-dark dichotomy of everyday life
Delhi wasn’t quite ready for the extravagant genius of The Prodigy. But it rose to the occasion. Literally too
Almost every big-budget movie is losing money in Bollywood. And yet, even if a small-budget movie makes thrice its cost, the industry does not count it as a blockbuster. Welcome to the warped economics of la-la-land
Mr Dalrymple, why is it so hard to give credit where it is due?
Young exponents of Carnatic and Hindustani classical music are bringing the north and south a little closer with their collaborations
After centuries in the shadows, the tabla comes to the forefront with a 22-member orchestra, the first such ensemble in the world
Inviting the audience to perform, a Bengal theatre group has galvanised activism in Indian villages. And engineered the scrapping of a Reliance SEZ in Maharashtra
The ‘racism’ charge is absurd, and designed merely to deflect attention from the real issue.
William Dalrymple takes exception to a piece we ran arguing that India’s life of letters was still beholden to the British.
Big things are expected of Raj Kumar Gupta, the man who made Aamir. He knows this, but is doing his damnedest to ignore it